TPI - 2002 Reading List

2002 Reading List

Note: Some faculty have strongly suggested that you read their books. I have changed those recommendations to be required. I have done so because the seminar is not a course in which a faculty member will offer you a set body of information in a lecture format. The intent of this seminar is to engage you in the dialogue about issues to which these people have given great time and thought. Thus, you should be familiar with the material they have already published on the issues to be discussed. Where a faculty person has suggested a number of readings, try to read at least two of them.

*Included in the reading packet.

Readings from the Faculty

Agard, Nadema

S Agard-Smith, Nadema. Southeastern Native Arts Directory.

S Book Arts Press. Arts International. CD ROM and INTERNET, Woodstock, NY, 1996.

R Elizondo, Virgil. Guadalupe: Mother of a New Creation.

S Farris Dufrene, Phoebe. Voices of Color: Art and Society in America.

S Farris Dufrene, Phoebe (editor). Women Artists of Color: A Bio-Critical Source Book to 20^th Century Artists in the Americas. Greenwood Press, Westport, Connecticut, 1999.

S Janis Broder, Patricia. Earth Songs, Moon Dreams: Paintings by American Indian Women. St. Martin's Press, New York City, 1999.

R "Arts as a Vehicle for Empowerment" in Voices of Color: Arts and Society in the Americas. Humanities Press International, Inc., Atlantic Highlands, New Jersey, 1997.

S Lester, Patrick D. Biographical Directory of Native American Painters. Tulsa, Oklahoma, 1995.

R Selu and Kana' Ti: Cherokee Corn Mother and Lucky Hunter. Mondo Publishing, New York City, 1997.

Alexander, Darsie

Boltanski, Christian

Crispin Miller, Mark

S Crispin Miller, Mark. Boxed in: The Culture of TV. Evanston, Northwestern University Press, 1988.

S Crispin Miller, Mark. Seeing Through Movies. New York, Pantheon Books, 1990.

S Crispin Miller, Mark. The Bush Dyslexicon: Observations on a National Disorder. New York, W.W. Norton, 2001.

S Mulvey, Laura. "Visual Pleasure and Narrative Cinema," in Visual an d Other Pleasures. Bloomington, Indiana University Press, 1989.

S Sekula, Allan, "The Body and The Archive," October 39, (Winter 1986), p 3-64.

S Williams, Patricia J, " On Being The Object of Property," in Feminist Theory In Practice. Chicago, University of Chicago Press, 1989.

Kempadoo, Roshini

R Internet and digital print project. April 2000

R http:// omnibus-eye.rtvf.nwu.edu/Homestead/ Sweetness and Light series. See Index of artists for work.

R http://www.autograph-abp.co.uk/gallery/kem.html A selection of images and CV.

R http://lightwork.org.exhibitions/mg51.html See past exhibition: "Eclectic Flavour" at the Robert Menchel Photography Gallery curated by Eddie Chambers and supported by Autograph.

R http://antenna.apc.org/gma/kempadoo.html Series produced in 1995 entitled "War of Position" for the gallery Museum of Moderne KunstÑArnem, The Netherlands.

R http://www.cooper.edu/art/techno/artists/kempadoo2.html Web Pages of the show "Techno-Seduction" of Cooper Union Art Gallery, New York. January 1997. Curated by Robert Rindler and Deborah Willis.

S Doy, Gen. Black Visual Culture: Modernity and Postmodernity. IB Tauris, London, 2000.

S Doy, Gen. Seeing and Consciousness. Berg Press, 1995.

S Locke, Matt. Review of "Virtual Exiles" in Portfolio Magazine #32, 2000.

S Meskimmon, Dr. M. The Art of Reflection. London Scarlet Press, London, 1996.

S Wells, Liz and Kate Newton and Catherine Fehily (editors). Shifting Horizons: Women's Landscape Photography Now. IB Taurus, London, 2000.

S Willis, Deborah. Reflections in Black. Norton, New York, 2000.

S Willis, Deborah and Carla Williams. "The Black Female Body in Photographs from World's Fairs and Expositions" in Exposure#33, 2000.

S Camera Austria (magazine). Austria, January, 1997.

S Leonardo: Journal of the International Society for the Arts Sciences and Technology (magazine). Volume 30. Number 4. Boston, September, 1997.

S Metamorphoses, Photography in an Electric Age. Aperture Foundation, New York City, 1995.

S N. Paradoxa (magazine) Volume 2. KT Press, London, July 1999.

S "Pavillon Works. The Future Looms" CD ROM commission and biography of work. Pavillon, Leeds, UK, 1999.

S Party-line. CD ROM portfolio of work. Autograph, London, December, 1997.

S Perspektief Magazine. November Issue. The Netherlands, 1993.

S Photography in the 1990's. CD ROM. University Art GalleriesÑWright State University, 1996.

S Roshino Kempadoo. Monograph, London, 1997.

S Techno-Seduction (catalogue). Cooper Union Art Gallery, New York City, January 1997.

S The 90s- A Family of Man (catalogue). Forum d'Art Contemporain, Luxembourg, October, 1997.

S Blockson, Charles L. The Underground Railroad. New Jersey, Prentice Hall,1987.

S Hayworth-Booth, Mark. Metamorphoses: Photography of the Electric Age. New York, Aperture, 1994.

S Hurn, David and Bill Jay. On Being a Photographer. LensWork Publishing, 1997.

*S Lippard, Lucy R. Mixed Blessing. Pantheon, 1990.

S Thompson, Robert Harris. Hash of the Spirit. First Vintage Books Edition, 1984.

S Tobin, Jacqueline and Raymond G. Dobard. Hidden in Plain View: A Secret Story of Quilts and the Underground Railroad. Anchor Books, 2000.

S Washburn, Dorthy K. and Donald W. Crowe. Symmetries of Culture. Seattle, University of Washington Press, 1988.

S Willis, Deborah. Reflections in Black. New York, W.W. Norton & Company, 2000.

Marshall-Linnemeier, Lynn

*R Beecher Stowe, Harriett. Uncle Tom's Cabin (in particular the chapter entitled" Topsy") (This is important to read because Marshall-Linnemeier will be discussing "The Annotated Topsy").

R www.journale.com/without_sanctuary (bottom space line between without and sanctuary) Look at overview of material Marshall-Linnemeier will be discussing.

Rahmanian, Hamid and Melissa Hibbard

S Rosenstiel, Tom. Strange Bedfellows: How Television and the Presidential Candidates Changed American Politics, 1992. New York City, Hyperion Press, 1993.

S Rosenstiel, Tom. The Beat Goes on: President Clinton's First Year with the Media. A Twentieth Century Fund Monograph, Summer 1994.

S Rosenstiel, Tom. The Elements of Journalism: What Newspeople Should Know and the Public Should Expect. Toronto, Crown Publishers, April 2001.

S Rosenstiel, Tom. "The Talk Show Culture" in The Future of News. Baltimore, John Hopkins University Press, 1991.

S Rosenstiel, Tom. "The Road to Here" in Toward the Millennium: The Elections of 1996. Boston, Allyn and Bacon, 1997.

S Rosenstiel, Tom. Warp Speed: America in the Age of Mixed Media. New York City, The Century Foundation, May 1999.

Schechter, Danny

R Media Channel's homepage: www.mediachannel.org

*R Every Picture Tells A Story, Don't It. News Dissector/Images and Truth. February 3, 2000.

S Mercer, Kobena. Welcome to the Jungle: New Positions in Black Cultural Studies. New York and London, Routledge, 1994. p. 171-219.

*R Smalls, James and Deborah Bright (editors). The Passionate Camera: Photography and Bodies of Desire. London and New York, Routledge, 1998. p. 78-102.

S Bagdikian, Ben H. The Media Monopoly. Sixth Edition, Boston, Beacon Press, 2000.

*R Center for Documentary Studies. Putting Documentary Work to Work: A Guide for Communities, Artists, and Activists. Center For Documentary Studies at Duke University and the Center for Creative Photography at the University of Arizona. 2001.

*S Griffin, Tim. "Peering into the Electrosphere" in For Your Information. New York City, New York Foundation for the Arts, Spring 2002.

*R McDonald, Helen. "Conclusion" in Erotic Ambiguities: The female Nude in Art. Routledge, London, 2001.

*R Olson Karen. "On the Front Lines" in Utne Reader, No. 110, March/April 2002, p. 82-83.

*R Paglia, Camille. "Lolita Unclothed" in Vamps and Tramps. Vintage Books, New York City, 1994.

*R Project for Excellence in Journalism homepage: www.journalism.org

*R American Civil Liberties Union homepage: www.aclu.org

*R Press Kit for Yokohama Conference, UNICEF. December 2001.

Swanson, Mary Virginia

Teters. Charlene

S Berkhofer, Robert. The White Man's Indian. Vintage Books, New York City, 1978.

S King, C. Richard and Charles Fruehling Springwood(editors). Team Spirits. University of Nebraska Press, Nebraska, 2001.

S Shar, Arthur and M. Huhndorf. Going Native: Indians in the American Cultural Imagination. Cornell University Press, Ithaca, 2001.

S Spindel, Carol. Dancing at Halftime: Sports and the Controversy over American Indian Mascots. New York University Press, New York City, 2000.

Towers of Light (Paul Myoda; John Bennett; Gustavo Bonevardi; Julian La Verdiere)

*R "Beams of Light, Soaring to the Sky" in The New York Times Letters to the Editor. March 14, 2002.

*R Kaplan, Fred. "Beams of Remembrance" in The Boston Globe. March 12, 2002.

*R Powell, Michael. "Do I Remember? Try Every Day" in The Washington Post. March 12, 2002.

S Fusco, Coco. " We Were the Mask" in Talking Visions: Multicultural Feminism in the Transnational Age edited by Ella Shohat. New York City, New Museum, The MIT Press, 1998, p. 113.

R Willis, Deborah and Carla Williams. The Black Female Body: A Photographic History. Philadelphia, Temple University Press, 2002.

*R Willis, Deborah and Carla Williams. " The Black Female Body in Photographs from World's Fairs and Expositions" from Exposure, Volume33. 1/2, 2000.

Yamashiro, Jennifer Pearson

*S Pearson Yamashiro, Jennifer. The Art of Desire: Erotic Treasures from the Kinsey Institute. The Kinsey Institute, Bloomington, Indiana, 1997.

*S Pearson Yamashiro, Jennifer. "In the Realm of the Sciences: The Kinsey Institute's 31 Photographs" in Porn 101: Eroticism, Pornography, and the First Amendment. Edited by James Elias, et al. Prometheus, New York City, 1999.

*R Pearson Yamashiro, Jennifer. Peek: Photographs from the Kinsey Institute. Intro by Carol Squires. Arena, Santa Fe, 2000.

S Pearson Yamashiro, Jennifer. Sex in the Field: Photography at the Kinsey Institute. Doctoral Dissertation, Indiana University, 2002.

S Benjamin, Walter. "The Work of Art in the Age of Mechanical Reproduction"in Illuminations. Hannah Arendt, ed./intro.; Harry Zohn, trans.,Harcourt, Brace & World, 1964.

S Hankins, Thomas L. and Robert J. Silverman. "The Giant Eyes of Science:The Stereoscope and Photographic Depiction in the Nineteenth Century" in Instruments and the Imagination, Princeton University Press, 1995.

S Heidegger, Martin."The Age of the World-Picture" in The Question Concerning Technology and Other Essays, Harper & Row, 1977.

*S Iles, Chrissie. Into the Light: The Projected Image in American Art 1964-1977. Whitney Museum of American Art, New York City, 2001.

S Kittler, Friedrich A. Preface and Introduction to Gramophone, Film, Typewriter. G. Winthrop-Young, M. Wutz, trans./intro., Stanford University Press, 1999.

S Stiegler, Bernard. "General Introduction" in Technics and Time, 1: The Fault of Epimetheus. R. Beardsworth, G. Collins, trans., Stanford University Press, 1998.

S Weber, Samuel. "Mass Mediauras, or: Art, Aura and Media in the Work of Walter Benjamin" in Mass Mediauras: Form Technics Media. Stanford University Press/Power Institute, 1996.

*R Zummer, Thomas. "Projection and Dis/embodiment: Genealogies of the Virtual" in Into the Light: The Projected Image in American Art 1964-1977, Chrissie Iles, Whitney Museum of American Art/Abrams, 2001.

S Zummer, Thomas and Coco Fusco, A Conversation About Into the Light at the Whitney, interview online at THING.net/reviews.


	2002 Reading List Note: Some faculty have strongly suggested that you read their books. I have changed those recommendations to be required. I have done so because the seminar is not a course in which a faculty member will offer you a set body of information in a lecture format. The intent of this seminar is to engage you in the dialogue about issues to which these people have given great time and thought. Thus, you should be familiar with the material they have already published on the issues to be discussed. Where a faculty person has suggested a number of readings, try to read at least two of them. Included in the reading packet. R = Required S = Highly Suggested* Readings from the Faculty Agard, Nadema S Agard-Smith, Nadema. Southeastern Native Arts Directory. S Book Arts Press. Arts International. CD ROM and INTERNET, Woodstock, NY, 1996. R Elizondo, Virgil. Guadalupe: Mother of a New Creation. S Farris Dufrene, Phoebe. Voices of Color: Art and Society in America. S Farris Dufrene, Phoebe (editor). Women Artists of Color: A Bio-Critical Source Book to 20^th Century Artists in the Americas. Greenwood Press, Westport, Connecticut, 1999. S Janis Broder, Patricia. Earth Songs, Moon Dreams: Paintings by American Indian Women. St. Martin's Press, New York City, 1999. R "Arts as a Vehicle for Empowerment" in Voices of Color: Arts and Society in the Americas. Humanities Press International, Inc., Atlantic Highlands, New Jersey, 1997. S Lester, Patrick D. Biographical Directory of Native American Painters. Tulsa, Oklahoma, 1995. R Selu and Kana' Ti: Cherokee Corn Mother and Lucky Hunter. Mondo Publishing, New York City, 1997. Alexander, Darsie R "And Then Turn Away: An Essay on James Coleman" in October 81. October Magazine, Ltd. And the Massachusetts Institute of Technology, 1997, p. 5-33. Alpert, Jon* R Downtown Community TV's homepage: www.dctvny.org Boltanski, Christian R Singerman, Howard (editor). Christian Boltanski: Lessons of Darkness. Museum of Contemporary Art (Chicago), The Museum of Contemporary Art (Los Angeles), The New Museum of Contemporary Art (New York), 1998. Crispin Miller, Mark* S Crispin Miller, Mark. Boxed in: The Culture of TV. Evanston, Northwestern University Press, 1988. S Crispin Miller, Mark. Seeing Through Movies. New York, Pantheon Books, 1990. S Crispin Miller, Mark. The Bush Dyslexicon: Observations on a National Disorder. New York, W.W. Norton, 2001. De Roo, Rebecca S Mulvey, Laura. "Visual Pleasure and Narrative Cinema," in Visual an d Other Pleasures. Bloomington, Indiana University Press, 1989. S Sekula, Allan, "The Body and The Archive," October 39, (Winter 1986), p 3-64. S Williams, Patricia J, " On Being The Object of Property," in Feminist Theory In Practice. Chicago, University of Chicago Press, 1989. DeCesare, Donna R www.crimesofwar.org R www.donnadcesare.com Goodman, Amy R Pacifica home page: www.igc.apc.org/pacifica also links to "Democracy Now". Kempadoo, Roshini R Internet and digital print project. April 2000 R http:// omnibus-eye.rtvf.nwu.edu/Homestead/ Sweetness and Light series. See Index of artists for work. R http://www.autograph-abp.co.uk/gallery/kem.html A selection of images and CV. R http://lightwork.org.exhibitions/mg51.html See past exhibition: "Eclectic Flavour" at the Robert Menchel Photography Gallery curated by Eddie Chambers and supported by Autograph. R http://antenna.apc.org/gma/kempadoo.html Series produced in 1995 entitled "War of Position" for the gallery Museum of Moderne KunstÑArnem, The Netherlands. R http://www.cooper.edu/art/techno/artists/kempadoo2.html Web Pages of the show "Techno-Seduction" of Cooper Union Art Gallery, New York. January 1997. Curated by Robert Rindler and Deborah Willis. S Doy, Gen. Black Visual Culture: Modernity and Postmodernity. IB Tauris, London, 2000. S Doy, Gen. Seeing and Consciousness. Berg Press, 1995. S Locke, Matt. Review of "Virtual Exiles" in Portfolio Magazine #32, 2000. S Meskimmon, Dr. M. The Art of Reflection. London Scarlet Press, London, 1996. S Wells, Liz and Kate Newton and Catherine Fehily (editors). Shifting Horizons: Women's Landscape Photography Now. IB Taurus, London, 2000. S Willis, Deborah. Reflections in Black. Norton, New York, 2000. S Willis, Deborah and Carla Williams. "The Black Female Body in Photographs from World's Fairs and Expositions" in Exposure#33, 2000. S Camera Austria (magazine). Austria, January, 1997. S Leonardo: Journal of the International Society for the Arts Sciences and Technology (magazine). Volume 30. Number 4. Boston, September, 1997. S Metamorphoses, Photography in an Electric Age. Aperture Foundation, New York City, 1995. S N. Paradoxa (magazine) Volume 2. KT Press, London, July 1999. S "Pavillon Works. The Future Looms" CD ROM commission and biography of work. Pavillon, Leeds, UK, 1999. S Party-line. CD ROM portfolio of work. Autograph, London, December, 1997. S Perspektief Magazine. November Issue. The Netherlands, 1993. S Photography in the 1990's. CD ROM. University Art GalleriesÑWright State University, 1996. S Roshino Kempadoo. Monograph, London, 1997. S Techno-Seduction (catalogue). Cooper Union Art Gallery, New York City, January 1997. S The 90s- A Family of Man (catalogue). Forum d'Art Contemporain, Luxembourg, October, 1997. Lovejoy, Margot R Lovejoy, Margot. Postmodern Currents: Art and Artist in the Age of Electronic Media. Second Edition. Upper Saddle River, New Jersey, Prentice Hall, 1997. Marc, Stephen S Blockson, Charles L. The Underground Railroad. New Jersey, Prentice Hall,1987. S Hayworth-Booth, Mark. Metamorphoses: Photography of the Electric Age. New York, Aperture, 1994. S Hurn, David and Bill Jay. On Being a Photographer. LensWork Publishing, 1997. S Lippard, Lucy R. Mixed Blessing.* Pantheon, 1990. S Thompson, Robert Harris. Hash of the Spirit. First Vintage Books Edition, 1984. S Tobin, Jacqueline and Raymond G. Dobard. Hidden in Plain View: A Secret Story of Quilts and the Underground Railroad. Anchor Books, 2000. S Washburn, Dorthy K. and Donald W. Crowe. Symmetries of Culture. Seattle, University of Washington Press, 1988. S Willis, Deborah. Reflections in Black. New York, W.W. Norton & Company, 2000. Marshall-Linnemeier, Lynn R Beecher Stowe, Harriett. Uncle Tom's Cabin* (in particular the chapter entitled" Topsy") (This is important to read because Marshall-Linnemeier will be discussing "The Annotated Topsy"). R www.journale.com/without_sanctuary (bottom space line between without and sanctuary) Look at overview of material Marshall-Linnemeier will be discussing. Rahmanian, Hamid and Melissa Hibbard R www.prometheuscinema.com Rosenstiel, Tom S Rosenstiel, Tom. Strange Bedfellows: How Television and the Presidential Candidates Changed American Politics, 1992. New York City, Hyperion Press, 1993. S Rosenstiel, Tom. The Beat Goes on: President Clinton's First Year with the Media. A Twentieth Century Fund Monograph, Summer 1994. S Rosenstiel, Tom. The Elements of Journalism: What Newspeople Should Know and the Public Should Expect. Toronto, Crown Publishers, April 2001. S Rosenstiel, Tom. "The Talk Show Culture" in The Future of News. Baltimore, John Hopkins University Press, 1991. S Rosenstiel, Tom. "The Road to Here" in Toward the Millennium: The Elections of 1996. Boston, Allyn and Bacon, 1997. S Rosenstiel, Tom. Warp Speed: America in the Age of Mixed Media. New York City, The Century Foundation, May 1999. Schechter, Danny R Media Channel's homepage: www.mediachannel.org R Every Picture Tells A Story, Don't It. News Dissector/Images and Truth. February 3, 2000. Small, James* S Mercer, Kobena. Welcome to the Jungle: New Positions in Black Cultural Studies. New York and London, Routledge, 1994. p. 171-219. R Smalls, James and Deborah Bright (editors). The Passionate Camera: Photography and Bodies of Desire. London and New York, Routledge, 1998. p. 78-102. Staff* S Bagdikian, Ben H. The Media Monopoly. Sixth Edition, Boston, Beacon Press, 2000. R Center for Documentary Studies. Putting Documentary Work to Work: A Guide for Communities, Artists, and Activists. Center For Documentary Studies at Duke University and the Center for Creative Photography at the University of Arizona. 2001. S Griffin, Tim. "Peering into the Electrosphere" in For Your Information. New York City, New York Foundation for the Arts, Spring 2002. R McDonald, Helen. "Conclusion" in Erotic Ambiguities: The female Nude in Art.* Routledge, London, 2001. R Olson Karen. "On the Front Lines" in Utne Reader, No. 110, March/April 2002, p. 82-83. R Paglia, Camille. "Lolita Unclothed" in Vamps and Tramps. Vintage Books, New York City, 1994. R Project for Excellence in Journalism homepage: www.journalism.org R American Civil Liberties Union homepage: www.aclu.org R Press Kit for Yokohama Conference, UNICEF. December 2001. Swanson, Mary Virginia* R Will be handed out day of presentation. Teters. Charlene* S Berkhofer, Robert. The White Man's Indian. Vintage Books, New York City, 1978. S King, C. Richard and Charles Fruehling Springwood(editors). Team Spirits. University of Nebraska Press, Nebraska, 2001. S Shar, Arthur and M. Huhndorf. Going Native: Indians in the American Cultural Imagination. Cornell University Press, Ithaca, 2001. S Spindel, Carol. Dancing at Halftime: Sports and the Controversy over American Indian Mascots. New York University Press, New York City, 2000. Towers of Light (Paul Myoda; John Bennett; Gustavo Bonevardi; Julian La Verdiere) R www.creativetme.org/towers/main.html R "Beams of Light, Soaring to the Sky" in The New York Times Letters to the Editor. March 14, 2002. R Kaplan, Fred. "Beams of Remembrance" in The Boston Globe. March 12, 2002. R Powell, Michael. "Do I Remember? Try Every Day" in The Washington Post. March 12, 2002. Willis, Deborah* S Fusco, Coco. " We Were the Mask" in Talking Visions: Multicultural Feminism in the Transnational Age edited by Ella Shohat. New York City, New Museum, The MIT Press, 1998, p. 113. R Willis, Deborah and Carla Williams. The Black Female Body: A Photographic History. Philadelphia, Temple University Press, 2002. R Willis, Deborah and Carla Williams. " The Black Female Body in Photographs from World's Fairs and Expositions" from Exposure, Volume33. 1/2, 2000. Yamashiro, Jennifer Pearson S Pearson Yamashiro, Jennifer. The Art of Desire: Erotic Treasures from the Kinsey Institute. The Kinsey Institute, Bloomington, Indiana, 1997. S Pearson Yamashiro, Jennifer. "In the Realm of the Sciences: The Kinsey Institute's 31 Photographs" in Porn 101: Eroticism, Pornography, and the First Amendment.* Edited by James Elias, et al. Prometheus, New York City, 1999. R Pearson Yamashiro, Jennifer. Peek: Photographs from the Kinsey Institute. Intro by Carol Squires. Arena, Santa Fe, 2000. S Pearson Yamashiro, Jennifer. Sex in the Field: Photography at the Kinsey Institute. Doctoral Dissertation, Indiana University, 2002. York, Torrance* R http://www.cpprev.org/educavideo.htm Yuskavage, Lisa* R Lovelace, Carey. Lisa Yuskavage: Fleshed Out, Art in America, July 2001 Zummer, Tom* S Benjamin, Walter. "The Work of Art in the Age of Mechanical Reproduction"in Illuminations. Hannah Arendt, ed./intro.; Harry Zohn, trans.,Harcourt, Brace & World, 1964. S Hankins, Thomas L. and Robert J. Silverman. "The Giant Eyes of Science:The Stereoscope and Photographic Depiction in the Nineteenth Century" in Instruments and the Imagination, Princeton University Press, 1995. S Heidegger, Martin."The Age of the World-Picture" in The Question Concerning Technology and Other Essays, Harper & Row, 1977. S Iles, Chrissie. Into the Light: The Projected Image in American Art 1964-1977.* Whitney Museum of American Art, New York City, 2001. S Kittler, Friedrich A. Preface and Introduction to Gramophone, Film, Typewriter. G. Winthrop-Young, M. Wutz, trans./intro., Stanford University Press, 1999. S Stiegler, Bernard. "General Introduction" in Technics and Time, 1: The Fault of Epimetheus. R. Beardsworth, G. Collins, trans., Stanford University Press, 1998. S Weber, Samuel. "Mass Mediauras, or: Art, Aura and Media in the Work of Walter Benjamin" in Mass Mediauras: Form Technics Media. Stanford University Press/Power Institute, 1996. R Zummer, Thomas. "Projection and Dis/embodiment: Genealogies of the Virtual" in Into the Light: The Projected Image in American Art 1964-1977*, Chrissie Iles, Whitney Museum of American Art/Abrams, 2001. S Zummer, Thomas and Coco Fusco, A Conversation About Into the Light at the Whitney, interview online at THING.net/reviews.