1992 FACULTY

Eduardo Aparicio
Eduardo Aparicio is a photographer and a writer. He holds a B.S. in Linguistics and French from Georgetown University and a M.A. in photography from Columbia College, Chicago. During the last ten years, he has worked in the preparation of Spanish-language textbooks for major educational publishers in the U.S., either as editor, writer, or photographer. His photographs are in several collections in Chicago, New York, and Puerto Rico.

Liz Chilsen
Liz Chilsen is a Chicago based photographer and film maker. She received her bachelor’s degree in art from the University of Wisconsin. Her photographs have been published and exhibited widely. Ms. Chilsen was a photographic conservation archivist for the State Historical Society of Wisconsin from 1980 to 1987 and co-founded the Wisconsin Conservation Service Center. From 1987 to 1990 she was the Executive Director the Wisconsin Coordinating Council on Nicaragua, a nonprofit educational citizens’ organization. She has photographed extensively in Nicaragua and Central America and is co-author of Friends in Deed: the Story of US- Nicaragua Sister Cities . She has taught photography since 1981 and is currently a member of the faculty at Columbia College in Chicago where she is completing her graduate degree.

Ellen Brooks
Ellen Brooks has taught at the San Francisco Art Institute, Chicago Art Institute, RISD and NYU. She has received three awards from The National Endowment of Arts. Her work has been exhibited at the Museum of Modern Art, Los Angeles County Museum and The Smithsonian among others. She earned her M.F.A. from UCLA.

Roger Bruce
In the early 1980’s Roger Bruce directed the National Endowment for the Arts’ Task Force on Photography and Related Media and later served as Coordinator for the Endowment’s Visual Arts Program. He was subsequently the Executive Director of the Fine Arts Work Center in Provincetown, Massachusetts, and from 1984 until late 1989 he developed and directed the New York State Artists’ Fellowship Program. Bruce is currently a program consultant for the George Eastman House in Rochester, NY. Bruce also works as an independent media artist in Linwood, New York.

Nancy Burson
Nancy Burson is a conceptual artist who uses computer imaging to create and manipulate "portrait" images. She is perhaps best known for her creation of a computer-assisted aging program which has been used by public and private agencies to find missing persons. Burson’s 10 year retrospective is currently touring the country including exhibitions at the Contemporary Art Museum in Houston, Denver, Center for Fine Art in Miami and the Contemporary Art Center in New Orleans.

Whitney Chadwick
Whitney Chadwick is an art historian who writes on Surrealism, Feminism, and Contemporary Art. Educated at Middlebury College and Pennsylvania State University, she has taught at the Massachusetts Institute of Technology, the University of California at Berkeley and Stanford University. Since 1978, she has been Professor of Art at San Francisco State University. She is the author of Myth in Surrealist Painting, 1929-1939 (1980), Women Artists and the Surrealist Movement (1985), and Women, Art, and Society (1990).

Paul DiMaggio
Paul DiMaggio is Professor of Sociology at Princeton University. Mr. DiMaggio received his Ph.D. in Sociology from Harvard University in 1979. Between 1979 and 1991 he was on the faculty at Yale University, where he directed the Program on Non-Profit Organizations (1982-87) and taught in the Sociology Department and the School of Organization and Management. He has written widely on organizational analysis, focusing on non-profit and cultural organizations. He is the editor of Nonprofit Enterprises in the Arts (1986), Structures of Capital: The Social Organization of Economic Life (with Sharon Zukin, 1990), and The New Institutionalism in Organizational Analysis (with Walter W. Powell, 1991). He is also the author of Managers of the Arts (1986) and Race, Ethnicity and Participation in the Arts (with Francie Ostrower, 1992). Mr. Dimaggio is a former member of the Connecticut Commission for the Arts and has held Fellowships from the Center for Advanced Study in the Behavioral Sciences (1984-85) and the John Simon Guggenheim Memorial Foundation (1991).

Carol Duncan
Carol Duncan received her Ph.D. from Columbia University in 1969. A Full Professor at Ramapo College of New Jersey, she has published two books- The Pursuit of Pleasure: The Rococo Revival in French Romantic Art, and The Esthetics of Power in addition to numerous articles. She is currently working on Civilizing Rituals, a study of art museums to be published by Routledge.

Ken Feingold
The artworks of Ken Feingold including installations, films, video, photography, sculpture and painting have been widely exhibited in the Americas, Europe, and Asia. He has received fellowships and grants from The National Endowment for the Arts, the Jerome Foundation, New York State Council of the Arts, the Japan-US Friendship Commission and many others. The Museum of Modern Art, New York and Centre Georges Pompidou, Paris have included some of his works in their permanent collections.

Feingold has been internationally recognized as one of the first generation of artists to work with what is being called "Interactive Multimedia" artworks. These digitally-based works take the form of environmental/sculptural installations, involving complex networks of image, sound and objects, utilizing specially modified and programmed computers, videodiscs and other electronics embedded within sculptural objects.

His most recent work of this nature, "The Surprising Spiral"toured Europe during 1992, with exhibitions in Amsterdam, Helsinki, Karlsruhe, Oporto and Odense.

Feingold has been teaching in the Visual Arts Program at Princeton University since 1989, and in the Arts and Media Program at New York University since 1990. He lives in New York City.

Frank Gohlke
Frank Gohlke was born in Wichita Falls, Texas in 1942. He has a degree in English from the University of Texas and an M.A. in English from Yale. Gohlke is the recipient of two NEA Fellowships, two Simon Guggenheim Memorial Fellowships and a Bush Foundation Fellowship. Gohlke’s work is in the collections of MoMA, the Art Institute of Chicago, and the Bibliotheque Nationale. Most recently his work has been shown at the Bonni Benrubi Gallery, Franklin Parrasch Gallery and included in the "More Than One Photography" at the MoMA.

Marvin Heiferman
Marvin Heiferman co-curated Image World at The Whitney Museum of American Art, 1989. He also organized The Indomitable Spirit (Photographers + Friends United against AIDS, 1990). As a freelance curator and as director of photography for Castelli Gallery, New York, he organized over one-hundred photographic exhibitions for museums and art galleries in the United States and Europe. Heiferman was the editor of Nan Goldin’s Ballad of Sexual Dependency (Aperture 1986) and produced her multi-media presentation of the project at the Berlin Film Festival that same year. With Diane Keaton, he co-authored Still Life, (Callaway, 1983) a collection of early Hollywood color photographs. In collaboration with Carole Kismaric he produced I’m So Happy, (Vintage Books 1990) and created LOOKOUT, (1991) a book packaging company.

Holly Hughes
Holly Hughes is a playwright and performance artist who has received five NEA Grants and three New York State Council on the Arts awards. She is currently working on a new play "No Trace of the Blonde" which will premiered in New York City in February, 1993. Hughes graduated from Kalamazoo College. She has been touring and performing across the United States for the last seven years.

Max Kozloff
Max Kozloff - is a street photographer working in color who has had several shows in the United States and abroad since 1977. As a photographic critic, he is about to publish his third collection of photographic essays. His books include Photography and Fascination, The Privileged Eye, and Duane Michals Now Becoming Then. He was formerly Executive Editor of Artforum.

Vince Leo
Vince Leo lives in Minneapolis, where he is associate editor of Artpaper magazine and teaches photographic theory and practice at Film in the Cities. His books include Timetable Project: First Banks (Mao Prints Kept Over Objections) and Timetable Project: National Association of Artists Organizations (Nobody Remembers Everything).

Lisa Lewenz
In 1958, when she was three and still believed that adults were omniscient, Lisa Lewenz cornered almost anyone who would tolerate probing questions about the universe. By eight she had scaled down the ambition and presumed her life would be spent searching the answer, though by twelve she knew that simply posing the questions coherently would be a significant challenge. By seventeen, she was still asking the "wrong" questions, and at twenty-two, had started making art to convey her ideas. Lewenz received her M.F.A. from CalArts and B.F.A. from the Art Institute of Chicago/Kansas City Art Institute/Philadelphia College of Art, and has received several NEA fellowships, the 1990 US France Award, the 1990 Friends of Photography Ferguson Award, numerous city, state, and corporate grants, and second place in the BALTIMORE’S BEST CHICKEN SOUP CONTEST. She has taught full time for the last 10 years at NYU, the Minneapolis College of Art and Design, the University of Illinois, and a dozen other colleges across the nation. Her work entitled 1984, A View From Three Mile Island, chronicles the history of nuclear power: this and Lewenz’s other projects have been exhibited internationally in museums, galleries, and non-traditional sites. A recent recipient of a Fulbright/Hays Research Award and Senior Professorship, Lewenz will work in Berlin during 1993, and in the meantime, is still pondering the question, "What are we doing here anyway?"

MANUAL
Suzanne Bloom and Ed Hill, known collectively as MANUAL, have worked collaboratively since 1974. Over an eighteen-year period their work has involved numerous media: photography, video, computer imaging, programming and sound systems. One recent installation, FOREST\PRODUCTS, incorporates analog and digital photographs, a 23-minute videotape, and two interactive computer programs. MANUAL’s work has been exhibited in more than ninety museums and galleries throughout the United States and Europe; they are represented by the Jayne H. Baum Gallery in New York City, and Moody Gallery in Houston, Texas. Both have been recipients of NEA fellowships. Born in Philadelphia, Suzanne Bloom received her B.F.A. degree in 1965, and her M.F.A. in 1968 from the University of Pennsylvania. Ed Hill, originally from Springfield, Massachusetts, received his B.F.A. degree from the Rhode Island School of Design in 1957, and M.F.A. from Yale in 1960. Bloom and Hill are professors of art at the University of Houston where they have been on the faculty for sixteen years. Since 1981 they have written critical articles and contributed frequently to Artforum.

David Mendoza
David Mendoza is the Executive Director of the National Campaign for Freedom of Expression, a group founded in 1990 to protect freedom of artistic expression. From 1986 to 1991 he was founding director of Artist Trust. He has also served as Director of Planning and Development for the New York State Council on the Arts, and on the boards of Nine One Contemporary Arts Center (Seattle), Allied Arts of Seattle, Washington State Arts Alliance, and currently is a member of the board of Art Matters, Inc. and the National Cultural Alliance.

Patrick Nagatani
Patrick Nagatani was born in Chicago, Illinois as a result of both my parents being released from Japanese-American Relocation Camps during WW II and they having met in Chicago, married and he was their first born. He has two brothers. After eleven years his family moved to Los Angeles, California where he lived for thirty years. All of his formal and much of his informal education took place in Los Angeles. From Crenshaw to Malibu to West Hollywood to Culver City to living in a downtown L.A. loft, his informal education took place. He’s delivered the mail, drove a cab, picked grapes, did technical illustration, delivered newspapers, worked in a stationery store, acted in two motion pictures, taught high school in the inner city and earned an M.F.A. degree at U.C.L.A. He has taught at the School of the Art Institute of Chicago, Loyola, Marymount University and currently at the University of New Mexico. He now lives, teaches and works in New Mexico.

Esther Parada
Esther Parada, Professor of Photography, University of Illinois at Chicago is an artist and (occasional) critic whose work addresses the relationship between visual representation and power. Her writings on photography and cultural politics have appeared in Afterimage, Exposure, Aperture and Michigan Quarterly Review and her photographs are published in numerous books and journals including the Time-Life Photography series (Art of Photography), Newsweek, Feminist Studies and Views. She is a recipient of NEA Fellowship in 1982 and 1988 and has exhibited widely in the USA as well as several European and Latin American countries. Her work is represented in the permanent collections of the Art Institute of Chicago, the Museum of Modern Art, and Museum of Fine Arts in Houston among others. Since 1986 she worked almost exclusively with the Macintosh computer to create a number of photo collage works which present a revisionist historical perspective.

Barbara Jo Revelle
Barbara Jo Revelle is a photographer, film maker and public artist who is a currently a Professor of Fine Arts at the University of Colorado, Boulder where she directs the photography program.

She has taught for twenty years at various institutions including San Francisco Art Institute , School of the Art Institute at Chicago, UCLA, Arizona State University and State University of New York at Buffalo. Her work has been exhibited in 27 solo and over 100 group exhibitions and is owned by forty-two public and private collections in this country and abroad. Barbara has received critical attention in ArtForum, Z Magazine, Ten/8, Afterimage, New Art Examiner and Artweek. Revelle has received twenty-eight grants and fellowships including a major NEA and in 1991 she completed a two city block long photo-based computer generated tile mural- "A People’s History of Colorado".

Shelley Rice
Shelley Rice is a professor, critic and historian who has published criticism and history since 1974, in magazines like the Village Voice, Soho News, Art in America, Artforum, and Afterimage, and numerous books and catalogue essays. She has received fellowships and grants from The National Endowment for the Arts, Art Critics Fellowship in 1979, Fullbright Senior Research (France) in 1988, the PEN/Gerard Award for Non-Fiction Essay in 1989 and the Guggenheim Fellowship in 1992.

Fred Ritchin
Fred Ritchin is author of In Our Own Image: the Coming Revolution in Photography (Aperture, 1990) He has written widely on the implication of new technologies in journals such as The New York Times Magazine and Aperture , and spoken on the subject throughout the United States and in several countries abroad. He has also curated exhibitions ranging from An Uncertain Grace: The Photographs of Sebastiao Salgado (San Francisco Museum of Modern Art, 1990) to Contemporary Latin American Photographers (Burden Gallery, 1987). Ritchin is former picture editor of The New York Times Magazine, executive editor of Camera Arts magazine and founding director of the Photojournalism and Documentary Photography program at the International Center of Photography. He is a faculty member at the Tisch School of the Arts, New York University.

Sophie Rivera
Sophie Rivera is a recipient of a 1989 New York Foundation for the Arts Individual Artist’s Fellowship in Photography. She has exhibited her work at the New Museum of Contemporary Art, El Museo del Barrio, Intar Gallery, Art in General, Casa Aboy, Puerto Rico, Cuba and Europe. Rivera studied photography at the New School for Social Research and her photographs have been published in the Village Voice, the Daily News, Heresies and Women Artists Voices. She was an artist-in-residence at Light Works in 1988.

Coreen Simpson
Coreen Simpson was born in New York City and educated at Fashion Institute of Technology and the Parsons School of Design. Her work is in the collections of MoMA, the New School, Museum-over-Holland, Amsterdam, Bronx Museum of the Arts, ICP, and the Schomberg Collection at the Metropolitan Library. She has been awarded several NYSCA fellowships to produce a new body of work for the Jamaica Arts Center Queens and in 1987 received the NYFA grant for photography.education and the Lightworks Grant for photography. Once an artist in residence and staff photographer at the Studio Museum, Simpson has also been a freelance photographer for the Village Voice since 1982. Her work has recently been published in Songs of My People.

Mary Anne Staniszewski
Mary Anne Staniszewski teaches Contemporary Art, Culture and Critical Theory at Rhode Island School of Design. Her work has been published in Afterimage, Elle, Vanity Fair, Flash Art. She was a contributing editor to Manhattan Inc., and guest editor of FlashArt . She is also the author of the forthcoming book to be published in the Spring 93’ by Penguin Press, A Critical History of Art and Culture. She is a feminist activist and member of WAM.

Alan Trachtenberg
Alan Trachtenberg is the Neil Grey Jr. Professor at Yale University. He is the author of Brooklyn Bridge: Fact and Symbol published in 1965, Incorporation of America in 1982, and Reading American Photographs in 1989. He has been awarded the John Simon Guggenheim Memorial Foundation Fellowship, a Rockefeller Fellowship, a NEH and an ACLS award. He is currently working on the study of the American daguerreotype.

Carole Vance
Carole S. Vance, an anthropologist at the Columbia University School of Public Health, writes about gender, sexuality, and the body. She is the editor of Pleasure and Danger: Exploring Female Sexuality, a contributor to Caught Looking: Feminism, Pornography, and Censorship, and the co-editor of the two volume special issue of the Journal of Sex Research, "Feminist Perspectives on Sexuality." She is currently a visiting professor at Princeton University

Judith Wilson
A Ph.D. candidate at Yale, Judith Wilson teaches Contemporary Art and Theory and 19th and 20th Century African-American Art at the University of Virginia. Since 1979, she has written for such journals as American Art, Art in America, MS, SF Camerawork, Third Text and the Village Voice, as well as such catalogs as Carrie May Weems/ Matrix 115, Disputed Identities, and the Decade Show.

Cheryl Younger
Cheryl Younger, Director of the American Photography Institute, conceived and initiated the National Graduate Seminar. Ms. Younger has created many programs for arts and education. As the Director of Post-Secondary Education at Film in the Cities in Minneapolis/St.Paul, she was responsible for initiating a collaborative Media Arts Program.

From 1982 to 1990 she was on the Executive Board of the Society for Photographic Education serving as the National Chair and Treasurer and chairing two national conferences (Minneapolis and Houston). She holds an M.F.A. from the University of Iowa and has taught photography to students ranging from the third grade to the graduate level. Her work has been exhibited and published internationally including MS, Popular Photography Annual, Insights, New American Nudes and Individog Autdritet (Denmark).