1992 Table of Contents


	TABLE OF CONTENTS Acknowledgements Preface Welcoming Remarks Participants: Fellows and Faculty Finalists Abstracts of Presentations PAPERS AND TRANSCRIPTIONS Criticism and History: An Overview of Photographic Criticism by Vince Leo Analysis by Nancy Bain The Daguerreotype in American Cultural History by Alan Trachtenberg Analysis by Marcia Salo The Act of Witness in the Age of Electronic Imagery by Max Kozloff (not recorded) Twenty Six Gas Stations: The Problem with Canons by Michael Darling (published as thesis UC, Santa Barbara) Reframing the Woman Photographer: Historical Perspectives/New Paradigms by Whitney Chadwick Historian/Critic? a discussion including Whitney Chadwick, Vince Leo and Shelley Rice Analysis by Mark Woods Cramping "Photography’s Discursive Spaces" by Mark William Woods Analysis by Leslie Schmidt Post Mortem on Post Modernism Panel including Marvin Heiferman, Vince Leo, Shelley Rice and Judith Wilson Analysis by Len Follick To Survey or Not to Survey? Issues in the Writing of Women’s History by Whitney Chadwick Analysis by Margret Stanton Murray A Shot at the Canonical Texts by Mary Anne Staniszewski Photographic Identity and Consumer Desire, 1840s and 1980s by Julia Ballerini Analysis by Laurie Hall Paris in the 19th Century: Photography and the City by Shelley Rice Analysis by Mary Therese Mulligan Art Making and Art Market: TOUR: Jayne H. Baum Gallery led by Patrick Nagatani TOUR: Museum of Modern Art Print Room by Susan Kismaric The Magnetic Mirror, the Dream of Self-Knowledge by Ken Feingold Analysis by Mark Woods Media Literacy by Fred Ritchin Analysis by David Pace Shadows of a Decade: Sandinista Photographic Pictograms in Revolutionary Nicaragua by Elizabeth Chilsen Analysis by William Adams Computer Possibilities: AGFA Demonstration Center in Manhattan Analysis by Kelly McFadden Issues for Artists Panel "Displacement: The Artists as Homesteaders, the Artists as Polemicists" including Suzanne Bloom, Ed Hill, Esther Parada and Barbara Jo Revelle. CONFERENCE: Framing the News: New Guideline for Photographic Reproduction in the Computer Age Analysis by Greg Elin Things That Happen in Museums by Carol Duncan Analysis by Daisuke Sasaki The Organization and Changing Missions of Art Museums in the USA by Paul DiMaggio Analysis by Len Follick The Mediated Image: American Photography since 1960 by Therese Mulligan Analysis by Laurie Hall Funding Artists’ Work by Roger Bruce Alternative Venues by Vince Leo Analysis by Michael Darling Zines by Eduardo Aparicio Analysis by Kelly McFadden Symbolic and Cultural Politics underlying recent Art Controversies by Carole Vance Analysis by Nancy Bain Beyond Mapplethorpe: Body Politics and Culture War by David Mendoza Analysis by Michela Caudill Me and the NEA Four by Holly Hughes Analysis by William Adams ARTIST PRESENTATIONS AND DISCUSSIONS Ellen Brooks Analysis by Michael Darling Nancy Burson Analysis by Monica Chau Frank Gohlke Analysis by David Pace Vince Leo Analysis by Benita Carr Lisa Lewenz Analysis by Monica Chau MANUAL (Suzanne Bloom and Ed Hill) Analysis by Young Kim Patrick Nagatani Analysis by Daisuke Sasaki Esther Parada Analysis by Monica Chau Barbara Jo Revelle Analysis by Margret Stanton Murray Sophie Rivera Analysis by Richard Lewis and Young Kim Coreen Simpson Analysis by Renée Cox APPENDIX Fellows Biographies Faculty Biographies Reading List Addresses of all invited Graduate Programs of Photography

TABLE OF CONTENTS